Fantastische Frauen: How Surrealist women (de)constructed gender (Schirn, 18 January 2020).
Is it still artwashing if a whole country’s doing it? (Art Review, December 2019).
The Arts for All (Tribune, 22 November 2019).
Trying to Survive ‘On Venus’: Patrick Staff at the Serpentine (Frieze, 20 November 2019).
TV Personality: On Nam June Paik (Art Review, October 2019).
Mapping a Gentrifying London: An interview with Laura Grace Ford (Frieze, 8 October 2019).
Turner Prize 2019 review (Frieze, 27 September 2019).
Men, Step Aside: the Women of Cobra (Frieze, 20 September 2019).
A Sense of Community: On Lisetta Carmi’s transgender portraits (Frieze Masters issue 8, 2019).
The Melancholy of a Gay Male Subculture That Has Passed (Frieze, 14 August 2019).
Kiss My Genders review (Frieze, 14 June 2019).
Portals – Zadie Xa (Canadian Art, 10 June 2019).
Brexit: Into the Abyss (Arts of the Working Class issue 6, 2019).
Yevgeniy Fiks’ Unearthing of Historic Gay Languages (Frieze, 2 May 2019).
Armed and Dangerous: Film and fascism in Ukraine (Frieze, 21 March 2019).
When our neoliberal order explodes, who picks up the pieces? (Frieze, 20 March 2019).
The queer utopias of the late Belgian artist Sophie Podolski (Dazed, 14 February 2019).
On Queer in Space: Kollontai Commune Archive (Frieze issue 200, January/February 2019).
About Time: Christian Marclay’s The Clock Receives Its Tate Modern Premiere (Frieze, 11 September 2018).
Under the Paving Stones: Istanbul (Art Review, April 2018 – print only).
Dispatches: London (Frieze, 5 July 2017).
The Sprawl (The Wire, issue 389 – July 2016 – print only).
Champagne Life (Canadian Art, 27 January 2016).
Use BBC Four as a platform for visual artists (Open Democracy, 19 October 2015).
Translating the Self (Frieze, October 2015).
The New Woman: Berlin’s feminist, Dadaist pioneer Hannah Höch (New Statesman, 18 January 2014).
Types of Ambiguity: On Queer Art and Culture (London Review of Books blog, 13 September 2013).
On Triangle by Sanja Ivekovic (New Statesman, 29 May 2013).
A Bigger Splash: Painting After Performance (New Statesman, 26 November 2012).
Review of the exhibition at Tate Modern.
Marina Abramovic: The Artist is Present (New Statesman, 17 September 2012).
The ArcelorMittal Orbit: London’s Eiffel Tower? (New Statesman, 11 July 2012).
Xxxora’s Newer Gender (Guernica, 12 June 2012).
The Great English Vortex (New Statesman, 20 June 2011).
Review of the Vorticism exhibition at Tate Britain.